To enhance this understanding, there are two male actors on stage playing, respectively, Leopold Bloom (Chris Broadstock) and Blazes Boylan/Stephen Dedalus (Luke Belle). They also remain on stage, mostly in the background and provide visual context in the numerous vignettes or re-enactments of events referred to by the Mollys, including appearing as representations of various male characters. Continue reading
Bloomsday events in Melbourne. Continue reading
Bloomsday’s first feature film, and an extravagance of Molly Blooms planned for the stage. Continue reading
Bloomsday in Melbourne’s new immersive play explores the year that made James Joyce, 1903-4. Continue reading
This is the story of an elderly lady who was afflicted with a very delicate conscience… Continue reading
A new introductory class on Ulysses offered by Bloomsday in Melbourne Inc. Continue reading
There is James Joyce, the lionised author; there is young Jim Joyce, full of confidence and with nothing to justify it and no good reason to believe he ever will; and there is Stephen Dedalus, the fictional altar of his ego. Continue reading
Two new OAM recipients with connection to Tintean Continue reading
Ulysses’ ‘interiorization’ is one reason why the book is considered to be unfilmable. Ulysses in Plaguetime deals with this problem by having Dedalus and Bloom speak directly to the viewer in Proteus and Lotus Eaters, as if in video diaries. Continue reading
As host of the seminar, Philip Harvey saw his task as to ask questions, some pre-worded others impromptu; to figure out what several people were saying at once; and to direct the dialogue so it didn’t fall off a bridge into the Liffey. Continue reading
Tinteán 