Austere minimalist staging that is also aesthetically pleasing and inventive. Continue reading
Filed under Theatre review …
Theatrically Addressing Clerical Abuse
The star of Runaway Priest was Felix Meagher’s original music which in part accounted the upbeat quality of its treatment of the difficult topic of child abuse. Continue reading
Socialist Countess
Meg McNena’s new play about Constance Markievicz constitutes an epic story of women’s engagement in politics. Continue reading
A Paean in Praise of Theatre
A Director in love with Oscar Wilde and his theatre of other possible futures…. Continue reading
It might be nonsense, but at least it’s clever nonsense
A novelist, a bolshevik, and a dadaist walked into a bar, is one way of getting the joke that is Travesties. Or it’s a demonstration of how The Importance of Being Earnest is a Marxist tract. Continue reading
It might be nonsense, but at least it’s clever nonsense
A novelist, a bolshevik, and a dadaist walked into a bar, is one way of getting the joke that is Travesties. Continue reading
A Feast of Clarification
In Holy Cow!, pathos was blended with comedic bombast, prolixity with wordless groans, and irony with genuine feeling. The ending was incredibly moving, reminding us of Joyce the man and the writer. Continue reading
Centre Stage, The Bed
Janet Moran’s performance exuded the confidence of a woman secure in her bodily attractiveness and willing to surrender to her drives, while David Pearse’s Bloom was steady, sane, thoughtful, loveable, Continue reading
Joyce with his Nose in the Air
Handed such a whiffy text, director Wayne Pearn took a deep breath and turned it into a play piece of encaptivating ingenuity Continue reading
A Little Gem, at Macedon
Little Gem is a rollicking heart-warmer, though it works hard not to be too sentimental. Continue reading
Tinteán 