During the writing of Nora, O’Connor says she developed a deeper empathy for James Joyce, perhaps because she now understands his writerly life. It is through her protagonist’s perverse love for Joyce that a reader sees the man’s redeeming features. Continue reading
There is James Joyce, the lionised author; there is young Jim Joyce, full of confidence and with nothing to justify it and no good reason to believe he ever will; and there is Stephen Dedalus, the fictional altar of his ego. Continue reading
Nature of Event: Course: Join Joyce experts Bruce Beswick and Frances Devlin-Glass for a day with Sirens, one of the most pivotal and moving chapters of James Joyce’s Ulysses, in which Joyce experiments with musical form in narrative fiction. What does it add to our understanding of Bloom’s humiliation to have him listening to music while his rival … Continue reading
Ulysses’ ‘interiorization’ is one reason why the book is considered to be unfilmable. Ulysses in Plaguetime deals with this problem by having Dedalus and Bloom speak directly to the viewer in Proteus and Lotus Eaters, as if in video diaries. Continue reading
As host of the seminar, Philip Harvey saw his task as to ask questions, some pre-worded others impromptu; to figure out what several people were saying at once; and to direct the dialogue so it didn’t fall off a bridge into the Liffey. Continue reading
Bloomsday in the Year of Plague. A metempsychosis. Continue reading
Diving deep into the opening of James Joyce’s Ulysses. Continue reading
Bloomsday in Zurichbegan with a tram trip to Fluntern Cemetery …. Continue reading
A new course focussing on the Ithaca chapter of Ulysses, Joyce’s own favourite. Continue reading
Bloomsday in Melbourne mounts a course, one day’s immersion in James Joyce’s most Irish chapter of Ulysses, Cyclops. Continue reading
