Kathleen, an eighteen-year-old, navigates life after her mother’s death and returning to her childhood home in a coastal Irish town. Given a second chance, she struggles with her volatile nature and connections while pursuing dreams of a beauty salon. Strong performances highlight her quest for love and recognition amidst psychological challenges. Continue reading
Dead Man’s Money, a film by Paul Kennedy, explores familial tension and betrayal as Young Henry fears his wealthy uncle’s courtship with the Widow Tweed. This noir adaptation evokes Shakespearean themes, skillfully blending dark humor and character complexities. The 82-minute film offers a gripping tale of moral ambiguity and human frailty. Continue reading
Kathleen, an eighteen-year-old, navigates life after her mother’s death and returning to her childhood home in a coastal Irish town. Given a second chance, she struggles with her volatile nature and connections while pursuing dreams of a beauty salon. Strong performances highlight her quest for love and recognition amidst psychological challenges. Continue reading
Tarrac, a heart-warming Irish language comedy drama set on the Kerry coast in Dingle… Joyce feels like someone we can know, though probably not like very much….The scaffolding and the bedrock of this visually sumptuous film is what it does with landscapes and cloudscapes and the imposition of the human impress on them. Continue reading
We have subscribers in 117 countries and on every continent. Our authors have been Irish-born and Irish resident; Irish-born and Australian resident or resident in other countries; Australian-born of Irish descent; or simply interested and involved in the Australian-Irish connection. Continue reading
I read The Banshees of Inisherin as an allegory of this vicious civil conflict, told in a loose but recognisable metaphor of the breakdown of a once close friendship. Continue reading
But, I love it. I love rolling into a town and I love meeting new people and spending time getting to see their community. It’s very different from flying in and flying out and the usual fast-paced tour life. In the last few years pre-COVID things had gotten so fast, the bus couldn’t keep up with my schedule, so I was flying a lot more and I missed the bus pace. Continue reading
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International film historian Charles Barr charts a pivotal moment in Ireland’s Independence, Continue reading
Never has Ireland looked so colourful and sunny as it has in this film. Continue reading
Jimmy’s Hall – an offering from a film-maker who set a very high standard in Irish independent cinema with The Wind That Shakes the Barley, and a sad decline from that apogee. Continue reading
Tinteán 