James Joyce’s Ulysses may be termed ‘modernist,’ but it is such a unique work that it is difficult to categorize, and also very difficult to manipulate. In recent years Bloomsday Melbourne Inc. has edited and reshaped chapters for its quasi-theatrical presentations, but now, to take on the whole of this both internalized and externalized mammoth of a work, so geographically, physically and psychologically capacious, is to attempt something Herculean, including the stables! Continue reading →