one imagines that, as with all oral story-tellers, the verse tethers memory to the story’s emotional highs and lows. Continue reading
Filed under Theatre review …
A Song Cycle for Nora Barnacle
Nora Barnacle was known to be a plain speaking woman, practical, stoical, yet with as much mettle in her as there was in Joyce. Continue reading
James Joyce, Cinephile
Well-chosen film clips enrich the audience’s experience of the play, Continue reading
Irish men, and a special one – Owen Roe
Renee Huish would count this play, In Search of Owen Roe, as one of the finest she has enjoyed at the much-loved theatre (La Mama). Continue reading
Dancing the Bones of Archaic Irish Stories
An account of a theatrical performance by Niki na Meadhra Celtic Club, 29 March 2015. Niki na Meadhra performed her one-woman show, Dancing the Bones of Irish Myth and Legend, to a mixed audience of Celtophiles, Narrato-philes, and some enthralled adults and children, at the Celtic Club on Sunday 29 March. It was storytelling taken … Continue reading
Riverrun: Melodio[sities] in pure effusion
Riverrun, the theatrical tour de force based on the final section of Finnegans Wake, devised and performed by Olwen Fouéré, in making the choice to dramatise the Liffey rather than the characters offers an unexpected but very clarifying innovation… Continue reading
A Long Way to Tipperary
In summation, ‘A Long Way to Tipperary’ proved itself a most fitting tribute to the 200,000 Irish men and women who served in the Great War, with 50,000 (one in every four) of them making the supreme sacrifice. Continue reading
Australian Premiere of Irish Musical
All the actors are also musicians, and fantastic musicians, and dancers. Fiddles, banjos, double basses, guitars, a drum kit, tambourine, piano accordion, concertina Continue reading
“Somebody’s done you a big favour, Sharky”
Blindness, loss, condemnation, forgiveness and redemption are all knitted seamlessly into the tight uplifting script that deservedly won The Seafarer many awards. Continue reading
‘Ulysses Prestissimo’: a slam version of the whole epic
James Joyce’s Ulysses may be termed ‘modernist,’ but it is such a unique work that it is difficult to categorize, and also very difficult to manipulate. In recent years Bloomsday Melbourne Inc. has edited and reshaped chapters for its quasi-theatrical presentations, but now, to take on the whole of this both internalized and externalized mammoth of a work, so geographically, physically and psychologically capacious, is to attempt something Herculean, including the stables! Continue reading